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Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.
- Sales Rank: #560442 in Books
- Published on: 2014-04-15
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.30" w x 7.00" l, 2.26 pounds
- Binding: Paperback
- 512 pages
From Library Journal
A biography of the man and his ideas, with secondary emphasis on the build ings. Schulze (Art, Lake Forest Col lege) has had the full cooperation of the Mies Archives at the Museum of Mod ern Art and has done extensive re search and interviews with Mies's con temporaries, students, and intimates. The picture of Mies which emerges is honest and detailed, fair and balanced. Coupled with David Spaeth's Mies van der Rohe ( LJ 5/1/85), which is more de tailed on Mies's architecture, Schulze's book gives a picture in the round. It is well written and flows smoothly, with particularly good attention to Mies's youth in Aachen and the background of Weimar culture. Occasionally one misses illustrations which the narrative implies, but this is still an excellent book. Recommended. Jack Perry Brown, Art Inst. of Chicago Libs.
Copyright 1986 Reed Business Information, Inc.
Review
“Franz Schulze’s 1985 biography of Ludwig Mies van der Rohe has always been acknowledged as the most comprehensive and thoughtful biography of one of the key figures in twentieth-century architecture. This revised edition with significant new scholarship by its two authors will undoubtedly come to occupy the same position.” (Dietrich Neumann, Brown University)
“A herculean, generally successful effort to present Mies’s work in terms of both character and context. . . .This book has obviously been a long labor of love and respect for which no source has been left untouched.”
(Ada Louise Huxtable, on the previous edition)
“[A] distinguished and eloquent biography.”
(Paul Goldberger, on the previous edition)
“The most comprehensive book ever written about the master designer and, by any measure, the best. . . . Because no writer has ever before probed into Mies’s life at such depth, we have here the first definitive reconstruction of the architect’s personal habits, loves, fears, triumphs, loneliness and (in his old age) agonies.”
(Paul Gabb, on the previous edition Chicago Tribune)
“This excellent revised edition of a work originally published in 1985, has 138 illustrations, incisive descriptions of Mies’ innovative creations and a fascinating account of his Pyrrhic victory in a lawsuit against his disaffected client Edith Farnsworth.”
(Booklist, Starred Review)
"One recent book, however, has been largely overlooked by reviewers, perhaps because it appears to be merely a revised edition of a volume that Mies lovers already have on their bookshelves. Other than the title, though, the book is a completely different animal. . . . Fresh research into Mies’s American commissions, among them the troubled history of his most alluring American residential work—a transparent glass house for the eminent nephrologist Dr. Edith Farnsworth—has resulted in an almost entirely new book.”
(Architectural Digest)
“This authoritative biography of Mies van der Rohe has been updated through building records, the recollections of students and a court transcript. It's a gripping read, even if you're not a fan.”
(Christopher Woodword Building Design)
About the Author
Franz Schulze is the Hollender Professor of Art Emeritus at Lake Forest College. His many books include Philip Johnson: Life and Work and, as coauthor, Chicago’s Famous Buildings, the latter also published by the University of Chicago Press. Edward Windhorst studied architecture with Myron Goldsmith at the Illinois Institute of Technology. He has written two other books about modern architecture in Chicago.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A superbly researched update of a "Must Have" predecessor!
By John M Novack
Interning and practicing in Chicago at CF Murphy's in the 1960s, early 1970s was as du Boise described Chicago architecture's then-focus - all Mies.
A delicious time to be in Chicago. Franz Schultze and Edward Windhorst captures this energetic informing of we, the great unwashed, accurately memorializing not only the serious theory/building coming from Mies's office, but from his students including Brownson, Summers, Goldsmith and (importantly) from the student's students, such as the prolific and talented Helmut Jahn.
As within this book, Mies's European past was there always, illuminating this energy, underlying its very foundations, literally and phenomenally.
Great, great book!
0 of 0 people found the following review helpful.
In depth story of one of the 20th Century's most ...
By Philip Lanier
In depth story of one of the 20th Century's most influential architects. Schulze and Windhorst have created a work of exceptional scholarship.
4 of 5 people found the following review helpful.
Excellent Text on Mies van der Rohe
By Nicholas T. Fox
This is a great book you'll come back to again and again and if you don't have it, then your library is incomplete. Shulze has obviously did his research and come up with a readable and fascinating story that tracks Mies's work all the way from Aachen to Chicago. I can't say enough in praise of this work. Where other authors skim the surface when writing about Mies and his work, Schulze dives deeply into the pond and reveals some fascinating background information on the man, his time and his work. I cannot recommend this book enough and feel it should be a text for all architectural students. My only regret is that I should have read it 20 years ago.
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