Sabtu, 31 Januari 2015

[P635.Ebook] Ebook Download Physical Therapy Toolkit: Treatment Guides and Handouts, by Cheryl A. Hall OT

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Physical Therapy Toolkit: Treatment Guides and Handouts, by Cheryl A. Hall OT

The Physical Therapy Toolkit is a collection of 211 full-page illustrated patient education handouts that you can copy and give to your patients. The handouts are organized by 66 treatment guides and are based on current research and best practice. This 512 page practical resource is simply the BEST resource for every therapist working with physical disabilities and older adults.

The PT Toolkit was written and illustrated by Cheryl Hall, an occupational therapist with 30 years of clinical experience. Currently in the 2nd edition, it was revised and updated in November 2013.

  • Sales Rank: #614985 in Books
  • Published on: 2013-11-01
  • Original language: English
  • Dimensions: 11.00" h x 1.16" w x 8.50" l,
  • Binding: Paperback
  • 512 pages

About the Author
Cheryl Hall has been a clinician for 30 years. She attended San Jose State University and studied Occupational Therapy, Early Childhood Development and Gerontology. Her passion is home health, but has also worked with adults and children in acute and sub-acute rehab, out-patient hand therapy, transitional living for TBI, hospital-based outpatient. Her website PTtoolkit.com is devoted to sharing her experience, knowledge and resources.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best therapy resource on the market!
By Amazon Customer
I have purchased many resources as a student and now as a practitioner. This and the OT toolkit are by far the best resources I have found. The information is informative with practical intervention application. If you are a student this is a must have as you study various conditions and treatment. As a practitioner this includes amazing handouts in both English and Spanish, which are actually helpful and display written and picture directions. I highly recommend this for universities, students, practitioners, clinical fieldwork educators, and anyone caring for someone who wants to regain independence.

0 of 0 people found the following review helpful.
I would highly recommend this as a part of the "Tool Kit" of ...
By Wadsworth D. Roy III
This is a comprehensive set of exercises which should meet the home exercise program needs of about any patient. Having the exercises in English and Spanish is an exceptional benefit. The price is very competitive in the world of home exercise program handouts and the treatment guides are very current. I would highly recommend this as a part of the "Tool Kit" of any PT professional actively involved in the care of patients. We have it available for all the clinicians in our large health care system.

0 of 0 people found the following review helpful.
A Great Addition for All Types of Settings
By Diane Zagorski
The PT Tookit is very thorough and detailed including impairments, assessments, interventions and patient/caregiver handouts. The handouts are easy to follow and include excellent illustrations for each activity or exercise. Definitely a useful addition to all types of settings for the adult/geriatric population. I highly recommend it.

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Rabu, 28 Januari 2015

[Z121.Ebook] PDF Ebook Old Chinese: A New Reconstruction, by William H. Baxter, Laurent Sagart

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Old Chinese: A New Reconstruction, by William H. Baxter, Laurent Sagart

This book introduces a new linguistic reconstruction of the phonology, morphology, and lexicon of Old Chinese, the first Sino-Tibetan language to be reduced to writing. Old Chinese is the language of the earliest Chinese classical texts (1st millennium BCE) and the ancestor of later varieties of Chinese, including all modern Chinese dialects. William Baxter and Laurent Sagart's new reconstruction of Old Chinese moves beyond earlier reconstructions by taking into account important new evidence that has recently become available: better documentation of Chinese dialects that preserve archaic features, such as the Min and Waxiang dialects; better documentation of languages with very early loanwords from Chinese, such as the Hmong-Mien, Tai-Kadai and Vietnamese languages; and a flood of Chinese manuscripts from the first millennium BCE, excavated or discovered in the last several decades. Baxter and Sagart also incorporate recent advances in our understanding of the derivational processes that connect different words that have the same root. They expand our knowledge of Chinese etymology and identify, for the first time, phonological markers of pre-Han dialects, such as the development of *r to -j in a group of east coast dialects, but to -n elsewhere.

The most up-to-date reconstruction available, Old Chinese: A New Reconstruction brings the methodology of Old Chinese reconstruction closer to that of comparative reconstructions that have been used successfully in other language families. It is critical reading for anyone seeking an advanced understanding of Old Chinese.

  • Sales Rank: #1311676 in Books
  • Published on: 2014-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.60" w x 9.50" l, .0 pounds
  • Binding: Hardcover
  • 448 pages

About the Author

William H. Baxter is Professor in the Department of Asian Languages and Cultures and the Department of Linguistics, University of Michigan, Ann Arbor. His research in historical linguistics includes work on both the history of Chinese and its dialects and on the use of mathematical techniques to reconstruct linguistic history.

Laurent Sagart is a senior scientist with the French CNRS. He has published widely in Chinese and East Asian language historical linguistics. He is interested in language classification, notably the internal classification of Austronesian, Sinitic and Sino-Tibetan, in the genetic relationships among East Asian language groups, and in East Asian linguistic prehistory.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Reconstruction can be fun
By Yunder Hurriken
This is one of the most clearly written and entertaining books on the history of the Chinese language I have ever read. The authors show a level of erudition that surpasses that seen in most works published for public consumption. They have spared no detail (unlike many for-public works on linguistics topics), and the net result is a book I will read and re-read for years to come. The prose is careful and clear, and their arguments are strong. If you know a little Mandarin Chinese, the reconstructions of the Chinese spoken millennia ago are sure to surprise you. (I am particularly taken by the fact that the modern Mandarin homophones 五 wŭ and 午 wŭ are reconstructed as *C.ŋˤaʔ and *[m].qʰˤaʔ respectively.) I highly recommend this book to anyone with some knowledge and/or interest in Chinese linguistics.

7 of 8 people found the following review helpful.
Welcome work on Old Chinese in a major international scholarly language
By Larry Rogers Logographic
I hope to write a better review later. I saw this in a university library the other day and looked it over for a bit. This book seems to accompany the free online list of reconstructed Old Chinese words given by Baxter and Sagart on Baxter's U of M website, which someone made into a Wiktionary page as well.

Like Schuessler's ABC Etymological Dictionary of Old Chinese, it contains a lengthy discussion of Old Chinese syllable structure, and I think some discussion of how syllables and words are reconstructed. It seems to me that what this book and the aforementioned free online lists concern, is what Schuessler calls "Minimal Old Chinese", so Old Chinese as guessed at from known Old Chinese characters. Huh.

This is Old Chinese, as contrasted with Middle Chinese, refering to characters in the Oracle Bone, Bronze, and Classics texts. It seems like Middle Chinese characters and phonetic values date to after these texts and are more associated with the borrowed values for characters used by the Vietnamese, Japanese, Koreans, etc, Han Dynasty colonies (hence, Japanese Kan-ji, "Han characters").

I've noticed that there's differences between the reconstructions of Schuessler in ABC Etymological Dictionary of Old Chinese and those online by Baxter and Sagart. Then there's also earlier Karlgren reconstructions of Old Chinese as can be seen in the inexpensive and popular Dover reprint of "Analytical Dictionary of Sino-Japanese Characters", which are quite different from these other two.

I'm not working on it right now, but recently I've quickly examined "A Student's Dictionary of Classical and Medieval Chinese" and noticed that it had Old Chinese and Middle Chinese reconstructed values for some characters. I also became re-aware of Karlgren's "Grammatica Serica Recensa" (Latin: Reconstructed (Language) from the Chinese Letters) and Schuessler's addition to it, with a more transparent title, indicative of what GSR means, "Minimal Old Chinese and Later Han Chinese". In its beginning, he seems to indicate that GSR concerns this concept of "Minimal Old Chinese". I'm not sure the difference between Grammatica Serica Recensa and Analytical Dictionary of Sino-Japanese Characters, but I'm guessing they contain similar material and ideas, arranging characters by phonograms and giving reconstructions with some discussion.

Which is all really exciting.

But what I hope to do in the future is write and sell online glossaries and large corpora for Oracle Bone Script and Bronze Script. Already, I have a dictionary ready based on the 3 books by Keightley. These reconstructions are very popular matter for historical linguists, and I consider myself one, of a sort, but my interest is more in what each character-part originally was a picture of. And then, beyond that, interlinear glossed corpora and accompanying glossaries interest me very much. I strive for accuracy but within a time limit, and use academic resources.

What I hope has been done or will be done, is an exaustive etymological dictionary of the Sinitic family, with special attention given to this Old Chinese stage of the language(s), because this is the one upon which the Oracle Bone Script semantic and phonetic values seem to be based. Inasfar as that's even possible. Indo-European wasn't a written language, but we've got whole books full of reconstructed root words and etymologies. I sound the shelves of the University of Michigan and other universities near me, and search online for titles, and have found nothing to compare for the Sinitic families with Buck's phenomenal "A Dictionary of Selected Synonyms in the Principal Indo-European Languages" or even polyglot glossaries for the Sinitic families. I imagine all this sort of thing might exist in Chinese, but that doesn't do most historical linguists or other scholars much good. All these resources in Chinese (and Japanese) are useless to the majority of scholars in anthropology and linguistics, who learn German and French if anything. So I applaud this current work being in (a major European language) but would like to point out that most relevant material is still in a large but obscure and phenomenally difficult writing system (Modern Chinese) that most trained specialists and other scholars will never learn to read. Most Sinologists don't seem to be aware of it, but the core of anthropology and linguistics, the sciences most relevant to their discipline, run on comparison, which in turn runs on accessible, international scholarly languages, of which Modern Chinese isn't and probably will not be.

Another thing to note about these matters is that historical linguists like Baxter and Sagart are a misunderstood minority in Sinology. Like all other "ancient area studies", Sinologists receive inadequate training in linguists (and anthropology), and as a result produce works which are not as insightful or as useful to people trained sufficiently in linguistics and anthropology as they could be. But each ancient area study is different for its dynamics, and Sinology is notable very small in the West and otherwise mostly Asians living in China and Japan, which is a weird shame and contrary to what's best for the world for sure. So there's a lot for linguists to do for ancient Chinese languages, and a lot of progress that can be made in training Sinologists sufficiently in linguistics, as opposed to just like, "Oh, I took classes like that in grad school but it's not really my thing and nobody uses it, so whatever." So Baxter and Sagart have really done a tremendous thing in making this book, from what I saw of it, and I can only express my wish that it be read and understood by a lot of people, as opposed to being one of those works that gets buried and not really implemented and mulled over. Not that many of us can afford it at $66 used, but we'll do what we can, and in time hopefully it will either get less expensive through reprints or they'll put a free PDF on their websites or something. I have yet to meet a lot of scholars in China of Old Chinese, but I'm sure they could not afford $66 used, if I can't. I have some idea of their budget from what scholarly libraries I have seen in China. If I ever see this book in a university library in China, it will be a photocopy made on a Xerox machine, that's for sure. I also have doubts that Chinese scholars of Old Chinese can even read English (or French or German), to tell the truth.

Knowing what I know of other language families, I find it very interesting that Karlgren called them Archaic Chinese and Ancient Chinese whereas today they prefer Old Chinese and Middle Chinese. At least I would have prefered they keep using Karlgren's names. It's just not like the Western literature for the Chinese language is so huge as that for the Egyptian languages. Consistency in naming and orthography goes a long way. Anyway, it ends up being a big topic regarding these ancient languages. Sometimes I would prefer Karlgren's names on various grounds, though knowing what I do of the relations between languages in Sinitic, these new names seem consistent with the use of Old -, and Middle - for other major language families, though I also have an appreciation for Classical - and even Archaic - as more descriptive of the actual corpus of texts and which stage of ancient languages we're talking about. I mean, if you're a linguist or anthropology, "Classical Egyptian" rings more bells than "Middle Egyptian", despite its scientific precision. And there's a comparable situation afoot with Chinese.

I can imagine why grad students and professors would refrain from typing up reviews for Amazon. Maybe they don't know about it, maybe they don't care. I'm sure there's reviews in academic journals behind pay walls. Anyway, I think all that impedes scholarship, and that Amazon should have some meaty reviews. I'm sure it helps research, as I've met people who have read meaty Amazon reviews.

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Jumat, 23 Januari 2015

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Epidemic Invasions: Yellow Fever and the Limits of Cuban Independence, 1878-1930, by Mariola Espinosa

In the early fall of 1897, yellow fever shuttered businesses, paralyzed trade, and caused tens of thousand of people living in the southern United States to abandon their homes and flee for their lives. Originating in Cuba, the deadly plague inspired disease-control measures that not only protected U.S. trade interests but also justified the political and economic domination of the island nation from which the pestilence came. By focusing on yellow fever, Epidemic Invasions uncovers for the first time how the devastating power of this virus profoundly shaped the relationship between the two countries.

Yellow fever in Cuba, Mariola Espinosa demonstrates, motivated the United States to declare war against Spain in 1898, and, after the war was won and the disease eradicated, the United States demanded that Cuba pledge in its new constitution to maintain the sanitation standards established during the occupation. By situating the history of the fight against yellow fever within its political, military, and economic context, Espinosa reveals that the U.S. program of sanitation and disease control in Cuba was not a charitable endeavor. Instead, she shows that it was an exercise in colonial public health that served to eliminate threats to the continued expansion of U.S. influence in the world.

  • Sales Rank: #1156966 in Books
  • Published on: 2009-12-01
  • Released on: 2009-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .40" w x 6.00" l, .60 pounds
  • Binding: Paperback
  • 200 pages

Review
"This elegant study not only reshapes our understandings of U.S.-Cuban relations but also forces us to rethink the broader history of U.S. public health interventions all over the world. It is a model for doing transnational history." - Paul Sutter, University of Colorado"

About the Author

Mariola Espinosa is assistant professor of history and director of Latino and Latin American Studies at Southern Illinois University.

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Minggu, 11 Januari 2015

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Steal Like an Artist: 10 Things Nobody Told You About Being Creative, by Austin Kleon

You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.

When Mr. Kleon was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. The talk went viral, and its author dug deeper into his own ideas to create Steal Like an Artist, the book. The result is inspiring, hip, original, practical, and entertaining. And filled with new truths about creativity: Nothing is original, so embrace influence, collect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you. Stay smart, stay out of debt, and risk being boring—the creative you will need to make room to be wild and daring in your imagination.

  • Sales Rank: #888 in Books
  • Brand: Workman Publishing
  • Model: 24204684
  • Published on: 2012-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.06" h x .56" w x 6.00" l, .37 pounds
  • Binding: Paperback
  • 160 pages
Features
  • 10 Things nobody told you about being creative!
  • A collection of positive messages and exercises to realize your artistic side
  • An inspiring and entertaining read
  • By artist and writer Austin Kleon
  • A New York Times Best-seller

Review
"Brilliant and real and true."
-Rosanne Cash

"Austin Kleon is positively one of the most interesting people on the Internet... Kleon makes an articulate and compelling case for combinatorial creativity and the role of remix in the idea economy."
-The Atlantic

"Breezy and fun and yes, scary. Scary because it calls your bluff."
-Seth Godin

"A quick, easily digestible read that is particularly relevant in today's digital world."-School Library Journal

"Filled with well-formed advice that applies to nearly any kind of work."-Lifehacker.com

“The book is filled with engaging anecdotes and helpful tips taken from Kleon’s experience learning to walk on his own creative feet, as well as quotes and stories from big names, ranging from Gide to Goethe to Questlove. – Fast Company co.Design
 
“Immersing yourself in Steal Like an Artist is as fine an investment in the life of your mind as you can hope to make.” – TheAtlantic.com
 
“Steal Like An Artist is an actually readable manifesto on how to properly squeeze your brain-juices and unlock your potential.” -- Thrillist

From the Back Cover
Unlock your creativity.

  • Steal like an artist.
  • Don’t wait until you know who you are to get started.
  • Write the book you want to read.
  • Use your hands.
  • Side projects and hobbies are important.
  • The secret: do good work and share it with people.
  • Geography is no longer our master.
  • Be nice. (The world is a small town.)
  • Be boring. (It’s the only way to get work done.)
  • Creativity is subtraction.
  • About the Author

    Austin Kleon is a writer who draws. He is the author of the New York Times bestsellers Steal Like an Artist and Show Your Work! His work has been featured on NPR’s Morning Edition, PBS Newshour, and in the New York Times and Wall Street Journal. He also speaks frequently about creativity in the digital age for such organizations as Pixar, Google, SXSW, TEDx, and The Economist. He lives in Austin, Texas, and online at austinkleon.com.


    Most helpful customer reviews

    398 of 416 people found the following review helpful.
    Eyes Wide Opened
    By Amazon Customer
    I am not a creative person. I want to be. I think like most people I want to create something. I want to write something. Create something. While searching for something new in the books section of Amazon.com I hit on this title. I knew nothing about Austin Kleon. I am not a poetry fan so I did not know about the Newspaper Blackout book. I actually judged this book by it's cover (and the description to be honest). I read it in an hour (you can too - it is a short book). Then I read it again much more slowly and with a highlighter. Most of what he writes about may be trite to those "in the know" but for me this book said I could go into the world, find something I love and tweak it bit to make it mine. And in doing that I could show the creator that his work inspired me to create something. This book also told me that I already possessed the tools to be creative. Since I know that I like Kleon suggest that I study why I like it. Find out what makes it work for me and then use that as a jumping off point. But even these words do not convey accurately enough how inspired I was - I read it again - I added his blog and tumblr feeds to my daily readings - I follow him on twitter and bought some books he recommended. Finally - rather than sending him an email telling him how wonderful this book is - I am following his advice and putting those same thoughts in a review. A small book awakened a bit of passion for being creative. Not a small feat. A small book but a big heart. Hope all these words add up to this - I love this book.

    316 of 344 people found the following review helpful.
    Get out there and get busy creating.
    By David J Turner
    If you've been paying attention to certain parts of the Web recently, you may be familiar with a rising chorus of voices talking about creativity as "remixing." The broad thesis is that creativity isn't a mystical flash of insight in the mind of a lone genius, but rather a combinatorial, collaborative process in which artists and designers consciously and gradually combine existing ideas into novel forms. Books like "The Gift", by Lewis Hyde, and video series like "Everything is a Remix", by Kirby Ferguson, champion this burgeoning idea (and are name-checked by Kleon at the end of "Artist"). But if Hyde and Ferguson are the theorists charting the contours of these new ideas, Kleon is the practitioner, the man-of-artistic-action, bringing the means and the message to the people.

    "Steal Like An Artist" began as a lecture given by Kleon at Broome Community College that later emerged as a viral blog post. Kleon makes no effort to hide the fact that the blog post forms the skeleton of "Artist". But even if you've memorized the post, Kleon layers enough muscle and flesh on it that you feel like you're encountering his core ideas all over again. The same rush of discovery and energy awaits.

    Kleon describes himself as "a writer that draws," and "Artist" is proof of that. He designed the book himself and his voice and style shine through. "Artist" feels unified, innovative, balanced, and, above all, intimate. The book is small, like a big cocktail napkin. It's full of illustrations by Kleon and little flourishes that keep things brisk as you read. The small size makes the book feel approachable, ready to provide a quick inspiration burst if need be. Kleon describes ten basic principles to boost your creativity. He lists them on the back cover of the book (a choice that Kindle purchasers will miss) so that they're easily referenced. It's a small touch, but emblematic of the book's careful construction.

    Most importantly, "Artist" is focused on practicality. Kleon has absorbed the lessons of Hyde and Ferguson, but he wants to do more than evangelize; he wants to transform. "Artist" is stuffed with practical tips that you can adopt. In fact, there's a section at the very end of the book titled "What Now?", in which Kleon gives you a long, itemized list of things you can do *right now* to prime your creative pump.

    One recent book that Kleon doesn't reference is "Where Good Ideas Come From", by Steve Johnson. "Good Ideas" is one of the best new books about spurring creativity, but it's primarily focused on principles of creativity and their historical origins. "Artist" is a perfect companion to "Good Ideas". Once you've read Johnson's book and your head is full of theory, Kleon's book comes along and gives you a good, firm (and lighthearted) kick in the pants to send you on your way. You certainly don't need to read "Good Ideas" or any other book to receive the full benefit of "Artist". It's a short, heady blast of exuberance that's guaranteed to kick-start your imagination.

    123 of 133 people found the following review helpful.
    Creativity to a Deeper Level
    By Chameleon
    After reading Dr. Andy's book Creativity, 63 short exercises to a Happier Life (a great book with good exercises by the way), I decided I wanted to get into the topic of creativity to a deeper level. So I picked up this book and I am glad I did.

    What Kleon does in this book is take a lot of the mystique out of creativity and show how you can use the idea of mixing what others have done to come up with great ides that take the concepts to a new level not before envisioned.

    The book is full of information about how to work with your own creative instincts and bring forward excellent new ideas even if your skills have been dormant for a long time or you have been caught in in a dead end job that does not seem to give an outlet for your finer instincts.

    This book is well on the way to becoming a classic in the field, and with good reason, I highly recommend it!

    See all 1541 customer reviews...

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    25% of this book's proceeds will be donated to two military charities: the Special Operation Warrior Foundation and the Sua Sponte Foundation.

    This book is the complete beginner's guide to long range shooting written in simple every-day language so that it's easy to follow. Included are personal tips and best advice from my years of special operations sniper schooling and experience, and as a sniper instructor.

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    This book is the complete beginner's guide to long range shooting written in simple every-day language so that it's easy to follow. Included are personal tips and best advice from my years of special operations sniper schooling and experience, and as a sniper instructor.

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    The author has a series of online instructional videos known for their ability to take seemingly complex areas of long range shooting and breaking them down so that they're easy to understand. This book was motivated by the feedback from those videos.

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    • Sales Rank: #4731 in eBooks
    • Published on: 2016-02-01
    • Released on: 2016-02-01
    • Format: Kindle eBook

    Review
    "Cleckner has a gift for teaching.  I have repeatedly seen contestants on Top Shot and guests at Texas Triggers excel under his instruction.  He explains seemingly complex topics in a tangible way that just makes sense." -- Colby Donaldson, Host, History Channel's "Top Shot" TV Show

    Whether you're looking to dip a toe into the complex world of long range shooting, or you're a seasoned shooter with years of trigger time, Ryan Cleckner's book will prove to be excellent reference material. Well written and easy to understand, it covers all the essential topics that a well rounded shooter needs to master. --Iain Harrison, Editor, Recoil Magazine

    About the Author
    Ryan Cleckner served as a special operations sniper team leader with the U.S. Army's elite 1st Ranger Bn. on multiple combat deployments. Ryan is a graduate of the premier Special Operations Target Interdiction Course (SOTIC), among other military training courses, and has taught snipers and police sharpshooters from around the world. Ryan has a series of online instructional videos known for their ability to explain complex topics in a simple and digestible way. Ryan is currently a firearms industry professional and an attorney.

    Most helpful customer reviews

    13 of 13 people found the following review helpful.
    Recommend, especially for beginning shooters
    By Kim
    A Well written, layman's language and portable, so as to bring with you to the range as Handbook / Reference. Recommend, especially for beginning shooters. Also checkout Mr. Cleckner's Instructional Shooting Videos on YOUTUBE, the B-E-S-T!!!

    7 of 7 people found the following review helpful.
    The best handbook in existence.
    By TJ
    The Long Range Shooting Handbook gives a clear-cut, no B.S approach and explanation to the fundamentals of long range shooting. The amount I've learned from this book almost equals the volume of information contained therein.

    It's reassuring to know as you read that Ryan is a man of experience unparalleled by other sources of information on this subject. As he mentions, his methods may start internet flame wars, but then, what do they really know? In this book, you won't find any useless, exclusive, sophisticated methods, but, rather, the straight truths and ways of the rifleman's art. Ryan learned this art in an occupation where his life and others' depended on the outcome. He is without question a master in this field.

    Another thing to note is that many books on this subject which are introductory level, which the Long Range Shooting Handbook is meant to be, spend the whole book saying, "In (book, course, etc.) you will learn...," wasting space with useless photos, or bragging of the author's achievements. In reading Cleckner's book, you will forget it is even intended as a "beginners guide to precision rifle shooting." The cover should read, "An extremely comprehensive handbook guide to long range shooting." And yet it still remains accessible to the beginner.

    With such a huge success in a beginners handbook, I can hardly contain my excitement for the upcoming sequel.

    You won't find a more comprehensive and valuable guide to the subject of long range shooting in layman's terms anywhere. Period. If you consider yourself proficient in rifle shooting, do yourself a favor and buy this book. You'll find important concepts you had no idea of explained in a way you will understand and easily be able to apply and take your shooting skills to the next level.

    Another plus for Ryan is that, while he recommends products, he doesn't spam, and only recommends tools of genuine usefulness. I've read some books that felt more like a catalog. None of that here!

    I could go on forever, but, I've got shooting to do. The Long Range Shooting Handbook will be the absolute best purchase decision you've made for you shooting gear bag in quite some time. You won't regret it, and you won't be able to put it down.

    6 of 6 people found the following review helpful.
    It's definitely a beneficial book for those who are starting ...
    By Amazon Customer
    It's definitely a beneficial book for those who are starting out or considering getting into long range shooting. Being a long range shooter myself and having the knowledge and experience that Ryan has written about, I can say that he has given clarity and detail, so that, even the novice shooter can become effective at distances well past the standard 100yrd. shot. The pic is a 3 shot group out of a factory Savage LRP .260 at 1250yrds., that I made, using the same info that Ryan has given in his book. Aim small, hit small. Be safe!

    See all 149 customer reviews...

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