Townsendbooks: Desember 2011

Jumat, 30 Desember 2011

[P862.Ebook] Ebook The Care and Keeping of You: The Body Book for Younger Girls, Revised Edition, by Valorie Schaefer

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Our best-selling body book for girls just got even better! With all-new illustrations and updated content for girls ages 8 and up, it features tips, how-tos, and facts from the experts. (Medical consultant: Cara Natterson, MD.) You'll find answers to questions about your changing body, from hair care to healthy eating, bad breath to bras, periods to pimples, and everything in between. Once you feel comfortable with what's happening, you'll be ready to move on to the The Care & Keeping of You 2!

Sales Rank: #61 in Books
Published on: 2012-03-26
Original language: English
Number of items: 1
Dimensions: 10.88" h x .25" w x 7.00" l, .60 pounds
Binding: Paperback
104 pages

Most helpful customer reviews

546 of 559 people found the following review helpful.
Read the book first to see if it is a good fit for your child
By sunny_peach
I bought this for my daughter who currently is seven with the thought I would have it stored away until I felt like she was ready to start talking in more detail about puberty, maybe sometime in the next year or when she is eight. I developed on the earlier side, as did my mother, so I am anticipating she may start pre-puberty in the next year or so. I am so glad I decided to read through the book before showing it to her because I have decided to return it and look for something else. As another reviewer mentioned, this book has a lot of content that could actually CAUSE insecurities about her body rather than prevent them.

What I like about the book:
It is simply written and easy for a younger girl to understand. It talks about puberty in a mostly positive way. It has fun illustrations that would appeal to my daughter and does talk about all bodies being different and so on, BUT…

What I DON’T like about the book:
As of now my daughter has a very positive self/body image. She is very comfortable in the skin she is in. From my observations, most girls in the target age of this book, 8-11, haven’t quite gotten the message yet that they should be looking critically at their own bodies or judge others for how they look. If they read this book, though, they WILL be exposed to these concepts. While my daughter does have a positive self-image at the moment and we have worked hard to cultivate that, I also know (and remember) how fragile that can be at the tween stage and the power of suggestion is huge at this age.

Here are some examples:
My daughter has a beautiful speckling of freckles across her nose. Most people around her have commented that they love them. SHE loves them. She said to me a few months ago that she wished she had MORE freckles. In this book, on page 36: “I have freckles. I hate them and wish I could get some lotion that would make my freckles go away. I need help!” While she loves her freckles, I could see reading this she may start to question how she feels about them. I could imagine her thinking, “Wait, are freckles considered to be ugly?”

Page 50-51, three questions are about girls’ insecurities of having a flat chest, then this one: “I have bigger boobs than all of my friends. Because of this, my friends are embarrassed to be around me because they think I’m very ugly and fat. I used to be very popular, but now I find myself dorky and lonely.” Yikes! Really?? I developed breasts earlier than my friends and was definitely insecure about them, wearing large shirts, etc., but NEVER did I ever think my friends wouldn’t like me because of them. The message that people may not like you because of anything having to do with your physical appearance is horrible. I know it is rampant in our culture, but I really would like to keep my young daughter from being exposed to this idea as long as I can. I realize the book is trying to prevent these kinds of thoughts, but the question in itself may get girls wondering and thinking about these things, not to mention re-enforcing the message that if you are fat, you are unlikable.

In the same vain, pages 62-63, titled Body Talk, all four questions from girls are about how other girls are thinner; how to stay thin; how to get thinner; and comparing your own body to your friends'. Talk about re-enforcing the idea that thin is ideal! I know the answers talk about all bodies being different and not to compare yourself, but these questions themselves might get our daughters thinking about whether they are thin enough and that it is normal to compare their bodies to their friends'. Yes, I realize she will face these issues at some point. I just feel there is no need to get these thoughts going at such an early age.

This is getting so long, but just know there are other parts in the book talking about comparing yourself to others physically; calling someone pizza face because of acne; insecurities if you haven’t gotten your period yet and are not considered a “woman” like your friends, etc. Again, I know that these are presented as questions and the book is telling the girls not to do those things or feel these ways, but the power of suggestion is so strong.

I wish there was a simple book about bodily changes/puberty which I could read to an eight year old girl without going in to explicit details about sex. This book would be much better if it just stuck to the facts about physical changes during puberty, how to take care of yourself, etc. and left out the question/answer section. The questions seem more appropriate for the second book for older girls (if even), not the target age of this book. I saw one recommendation in another review for "Reaching for the Moon," by Lucy H. Pearce. I will try that and then leave an update here.

529 of 551 people found the following review helpful.
Revised Edition for Younger Girls
By Joy
I got this book for my 8-year-old for Christmas. Sensitive issues about body changes are becoming a hot topic around here as we begin to deal with pre-puberty. Because she is such a huge bookworm I thought this would be a great starting off point for her to learn about body changes. I think that this is one subject where you really have to take into consideration your own child's personality and decide how to approach these sensitive topics. With that being said I asked her to read the book on her own time and then we could talk about any questions that she has, leaving the ball in her court and leaving the door to conversation WIDE open.

The book has definitely given her the courage to talk about something she was very unsure about. She understands her body now and is actually excited about the changes taking place (I was NOT as a child BUT no one gave me a book like this or talked to me about anything!). I think the book has given her courage to ask questions and even given her vocabulary about the issues she otherwise wasn't sure how to articulate, if that makes sense. I think it also made her aware of other changes that she was not even aware about. No matter how you decide to use this book or other material it is imperative that you not embarrass or belittle your child. It is also imperative that you are there for them and answer questions appropriately and honestly. If I ever feel that something is inappropriate to talk about then I honestly tell them, "This isn't something that is appropriate right now but we will talk about it soon!" And then don't go back on your promise.

Some pretty funny "kids say the darndest things" moments have also happened because of the book. She knows that these are private topics that stay at home so she's very comfortable saying things to us that might make others blush or stutter. I won't go into that here but I'm chuckling right now as I type this, thinking of the things she's said!

Finally I want to mention that we're a super conservative Christian family. I found nothing in this book that I felt was perverse or misguided or inappropriate. It is merely an anatomical book about changes that happen in early puberty. God created these wonderful bodies of ours and it's important to understand the changes *before* they happen. If there's something in ANY book that we don't exactly agree with then we use it as a teaching moment and explain that some people think dealing with emotions or friends "this way" is okay but this is how our family chooses to do it. If I am made aware of a serious problem in a book or one that is most definitely not Godly then we discard it but this book was well written and we've been pleased in how it has helped build our daughter's confidence in an uncertain and sometimes scary time in a young girl's life! We will be getting the version for older girls when she's a little older.

496 of 517 people found the following review helpful.
Excellent - For Younger Girls!
By Erika
I just bought this for my 9 year old and was so happy to see that had edited the previous version making a version for younger and older girls. It is excellent! First of all, it's branded American Girl which made my daughter love it without even opening the cover. It's like she knew she could trust everything it said.

I love how nicely it is organized and how it all leads up to the section on your body changing and getting your period. I thought that it simply described what is happening to her body and not to be afraid of it. I like how much time it devotes to the seemingly frivolous things such as pads, tampons, buying them, and how to be prepared. While yes, girls need to understand the biological facts what they really care about at this age is how to deal with it which this book does beautifully.

I wouldn't recommend giving this to your younger daughter without talking to her first, but it's a great guide and conversation starter - exactly why I purchased it.

I also loved how it devotes whole sections to overall health and putting the responsibility on her to get enough sleep, keep clean, get exercise, and make healthy food choices. Well done, AG!!

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Kamis, 29 Desember 2011

[K723.Ebook] PDF Ebook Dirty Spanish: Everyday Slang from "What's Up?" to "F*%# Off!" (Dirty Everyday Slang), by Juan Caballero

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GET D!RTY!

Next time you’re traveling or just chattin’ in Spanish with your friends, drop the textbook formality and bust out with expressions they never teach you in school, including:

• cool slang
• funny insults
• explicit sex terms
• raw swear words

Dirty Spanish teaches the casual expressions heard every day on the streets of Spain and Latin America:

• What’s up? ¿Qué tal?
• I’m shitfaced. Estoy mamado.
• Check out all the hotties! ¡Mírale las bomboncitas!
• Will you suck me off? ¿Me lo chuparías?
• I have the runs. Yo tengo un chorrillo.
• What a motherfucker! ¡Qué conchesuma!
• That forward is legit. Es chévere ese delantero.

Sales Rank: #122715 in Books
Brand: Caballero, Juan/ Mack, Lindsay (ILT)
Published on: 2011-05-10
Original language: English
Number of items: 1
Dimensions: 7.25" h x 4.25" w x .50" l, .35 pounds
Binding: Paperback
180 pages

About the Author
Juan Caballero is the author of the wildly popular first edition of Dirty Spanish.

Most helpful customer reviews

84 of 89 people found the following review helpful.
Disorganized, Contains Typographical Errors
By Karl Thorsson
As a native Spanish speaker I was disappointed with this book. I gave it two stars because it contains at least some useful material. My main gripe with the book is how disorganized it is. I liked the fact that it contains slang from Mexico down to Argentina, but the slang is completely disorganized. You can't use Mexicanisms with someone from Bolivia or Chile or anywhere. Sometimes the regionalisms are not even labeled as such - so the reader would not know with whom to use a phrase or word. A non native speaker will have a hard time with this book. Slang in the Spanish language is regional. What works in one country does not work in the next. Eg. You say X phrase to someone from Mexico. It turns out that X phrase is only understood in Colombia. So your Mexican interlocutor will have no clue what you're saying -- and vice versa. The idioms are regionally mixed and this is not effective. Eg. you will read a Mexicanism, next to a Venezuelanism, coupled with an Argentinism. I believe only a native speaker can benefit from this book as a reference. I intended to give this book to friends that are learning Spanish, but this book would only confuse them and it would be counterproductive to their learning. What I can do is pick sentences from different chapters and explain them to them. Hope my review is helpful to you. Had I known this fact before the purchase, I would not have bought this book.

27 of 30 people found the following review helpful.
Great little tool!
By Cathy G. Cole
They never teach you slang in those high school foreign language classes. At least they never did in mine. But of course, we all wanted to learn how to swear in the language we were learning. I became better acquainted with the intricacies of another language when Maria, a foreign exchange student from Colombia, and I became friends. I mispronounced something that caused her (1) face to turn tomato red, and (2) to break out in hysterical laughter. Although I knew I'd just committed some major faux pas, she would never tell me what I'd actually said. That alerted me to the fact that I'd better be careful what I say when I try to speak someone else's language.

A little book like Dirty Spanish is a great tool. Not only will it help you to not sound as if you've just wandered out of Spanish 101 in high school, you'll learn that harmless slang in Mexico might get you a fist in the nose in Spain. Divided into chapters such as Howdy Spanish, Friendly Spanish, Party Spanish, Body Spanish, Angry Spanish and Hungry Spanish (among others), the author also tells you which Spanish-speaking country uses the particular phrase. There's lots to learn in these 126 pages, and you'll laugh along the way.

Dirty Spanish is indispensable for any trip you're planning to a Spanish-speaking country, or if you just want to understand what Spanish-speaking employees are saying as they walk past. (I'd received a compliment and didn't even know it!)

[...]

23 of 26 people found the following review helpful.
save your money
By tesla
Good title, weak content. I'd suggest "The Red-Hot Book of Spanish Slang and Idioms" if you'd like to get "dirty Spanish" plus about all the idioms and slang you may ever encounter in Spanish speaking countries.

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Selasa, 27 Desember 2011

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Sales Rank: #3391095 in Books
Published on: 1981-03
Original language: English
Number of items: 1
Dimensions: 9.50" h x 6.50" w x 1.50" l,
Binding: Hardcover
568 pages

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Please WELCOME back Professor Derek Rowntree's LEARN HOW TO STUDY, now in its 5th edition. First published 45 years ago, it has since helped more than a MILLION readers around the world in a variety of languages.

Back in 1970 it was the ORIGINAL — the first book about studying to offer readers the friendly, tutorial style (incorporating 'interactive' activities with feedback) that has since become such a feature of Open University teaching materials and has been adopted by numerous other authors of books for students.

Since 1988, however, Professor Rowntree was too busy pioneering elearning courses at the Open University to have time to update his book. Consequently it soon seemed to him to be not relevant enough to the very courses he was developing, so he let it go out of print for the last ten years. Now, in his retirement, and many years richer in experience of student learning, he has at last found time to rewrite the book into the 21st century of learning.

LEARN HOW TO STUDY is not a collection of handy hints and quick fixes. Of course, it includes chapters on the critical reading of texts (in print and on screen), making notes, learning from seminars, lectures and new media, writing essays, tackling exams successfully, and so on — but presented in a way that encourages students to become reflective and exploratory about their approaches to learning and choose for themselves which ways of studying best meet their purposes. Professor Rowntree suggests to students that the three things they need to do to succeed are as follows:
•to understand what they want out of learning and what other people (especially tutors) expect of them.
•to develop approaches that will enable them to acquire the kind of learning that will satisfy their tutors while also getting what they themselves want from the process.
•to convincingly demonstrate that learning in both formal and informal assessment situations.
And this ‘virtual tutorial’ aims to help readers succeed in these goals, despite the 'hidden curriculum' and the often conflicting pressures within their learning situation.

CONTENTS
0 About this book — Please read this FIRST
I The myths and realities of being a student
2 Studying and learning
3 Understanding your situation
4 Getting organized for learning
5 Developing a strategy for reading
6 The art of reading critically (1)
7 The art of reading critically (2)
8 Learning from listening
9 Making and using notes
10 Preparing academic essays (1)
11 Preparing academic essays (2)
12 Dealing with examinations
Final comments
References

Sales Rank: #981453 in eBooks
Published on: 2015-03-16
Released on: 2015-03-16
Format: Kindle eBook

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1 of 1 people found the following review helpful.
coz I'm old like that. Maybe because it's an english book of ...
By Zeech
SIMPLY PROFOUND
I cannot believe there is no review for this which is why I am doing it, from a personal see me feel me standpoint, coz I'm old like that. Maybe because it's an english book of the modest open university don't blow your horn approach which has this book so quiet whilst other mega hype bollux books sell the 'secrets' of success for 50 bucks +.
OK, now my story of how I was introduced to this book over 3 decades ago whilst on the Rapid Track at college in London, we were mostly international students paying big fees so wanted to complete courses in half time. We had special Study Techniques which were incredible, the only experience I've had so profound in changing behaviour was The Alexandra Technique in adjusting how we sit, walk, talk etc.
Our Study Techniques had us adjust our patterns of reading, writing, skimming, discussion by simply minor modifications whose affects were incredible. Remember we were international students, from all parts of former British empire yet we were all equally affected. We passed in half the time of regular students, I went onto study in the US where the simple profound study approach of Derek Rowntree became habitual.
I have not mentioned any of the 'techniques' here as much cognitive research has been done since with many books and videos on sale those days. But none put it in such a simple and profound way with NO hype, like this beautiful simple book does.
It's the simplicity of these techniques which is why I rate this book so highly, so small, so light with NO hype and has disappears off my shelf numerous times because it's so simply profound.

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[X182.Ebook] PDF Ebook Inside Prime Time (Communication and Society), by Todd Gitlin

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Prime time: those precious few hours every night when the three major television networks garner millions of dollars while tens of millions of Americans tune in. Inside Prime Time is a classic study of the workings of the Hollywood television industry, newly available with an updated introduction. Inside Prime Time takes us behind the scenes to reveal how prime-time shows get on the air, stay on the air, and are shaped by the political and cultural climate of their times. It provides an ethnography of the world of American commercial television, an analysis of that world's unwritten rules, and the most extensive study of the industry ever made.

Sales Rank: #2292834 in eBooks
Published on: 2005-08-12
Released on: 2005-08-12
Format: Kindle eBook

Review
`Todd Gitlin's Inside Prime Time is perhaps the best book ever written about the thinking of the insulated men and women in the executive suites of Century City, Burbank and Television City.' - Los Angeles Times

`This is very likely the most concentratedly intelligent book yet written about television' - Film Quarterly

`Inside Prime Time presents the richest information ever collected on the inner workings of America's chief culture industry' - Commonweal

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Minggu, 18 Desember 2011

[V188.Ebook] Ebook Saca a relucir lo mejor en los demás (Spanish Edition), by Ph.D. Thomas K. Connellan

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Puede ser un miembro de su equipo de trabajo, su hijo, un estudiante de su clase o un atleta. El hecho es que en ocasiones resulta frustrante ver cómo hay quienes luchan tanto para alcanzar el éxito sin lograrlo. Algunas veces, usted hasta quisiera impulsar o rescatar a estas personas, más sin embargo ellas parecen ser casos perdidos y usted termina frustrado y sin forma de ayudar. Ahora existe una alternativa auténtica. Las investigaciones de Tom Connellan han concluido que hay tres claves para aprovechar el máximo potencial de aquellos que están a su alrededor. Estos son sólo algunos de los aspectos en que las siguientes claves le serán de utilidad: Cuáles son los cinco pasos para lograr un "diálogo constructivo sobre el bajo desempaño", que promueva el deseo de compromiso y no sea tan sólo una critica sin resultados positivos? Cuál es el punto más importante que usted tiene que hacer antes de mejorar su trabajo en equipo? Por qué razón el método: "Bueno, malo, bueno" que utilizamos para discutir los problemas de desempeño, no funciona y qué podemos hacer a cambio. Cómo utilizar la curva de la motivación invertida para mejorar la forma en que usted se fija sus metas? Estas claves han sido probadas en miles de situaciones y existen millones de dólares como resultados de grandes mejoras obtenidas gracias a poner en práctica este sistema. Líderes de negocios han mejorado sus ventas, fortalecido su trabajo en equipo e incrementado su productividad. Padres han elevado las notas de sus hijos. Maestros han mejorado el rendimiento de sus alumnos, así como de quienes requerían un impulso extra individual para mejorar. Entrenadores de jóvenes han reducido la curva de tiempo destinado al aprendizaje e incrementado el desempeño y el trabajo en equipo, todo sin el estrés que frecuentemente conlleva hacer estos esfuerzos.

Sales Rank: #3675094 in Books
Published on: 2011-04-01
Original language: Spanish
Number of items: 1
Dimensions: 8.50" h x .47" w x 5.12" l,
Binding: Paperback
192 pages

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0 of 0 people found the following review helpful.
Four Stars
By Ana
The book is very good, and delivery was excellent .

0 of 0 people found the following review helpful.
Five Stars
By Beatriz Z.
It's perfect

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Rabu, 14 Desember 2011

[O859.Ebook] Fee Download A Teaching Assistant's Guide to Managing Behaviour in the Classroom, by Susan Bentham

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A practical and authoritative guide to common behaviour problems in the classroom, this book explaines typical causes of misbehaviour and shows what teaching assistants can do to calm disruptive children. Using a range of case studies discussed from a teaching assistant's perspective, Susan Bentham explores:

the role of the teaching assistant in relation to school behaviour policies
when and how to reward good behaviour
why we need to understand the reason for bad behaviour in order to deal with it
how to implement behaviour strategies that really work.

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Published on: 2015-11-24
Original language: English
Dimensions: .0" h x .0" w x .0" l, .0 pounds
Binding: Hardcover
112 pages

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Jumat, 09 Desember 2011

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From the early passions of the Latin lover of the silver screen' to the adventures of modern day keroes such as Antonio Banderas, Hispanics in Hollywood is an illuminating voyage into the careers and contributions of some of film history's most legendary performers.

Sales Rank: #2523193 in Books
Published on: 2000-10
Released on: 2000-10-01
Original language: English
Number of items: 1
Dimensions: 10.14" h x 1.28" w x 8.00" l,
Binding: Paperback
550 pages

From Library Journal
This large-format one-volume encyclopedia covers popular Hollywood films (chiefly those of the sound era) and television programs featuring Hispanic actors or addressing Hispanic themes. The work is divided into two main sections, plot summaries and biographies, with a good index that leads to information on people and films not listed separately in the main sections. Though covering much of the material included in George Hadley-Garcia's Hispanic Hollywood (Carol Pub. Group, 1990), this new work is much better suited for reference use. Many handsome black-and-white stills from film publicist Reyes's personal collection will provide hours of entertaining browsing. A drawback is the lack of attention to correctly written Spanish; for names of actors known primarily for Spanish-language films and particularly in citing titles of Spanish-language films, accents marks are generally left out (e.g., Luis Bunuel instead of Luis Bun~uel). At least the authors are consistent in ignoring correct usage. Recommended for larger film collections and for libraries with a need for popular material on Hispanic films.
James E. Ross, Seattle P.L.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Although Hispanic Americans have been involved in many aspects of the American film industry, there has been little note taken of this fact in standard film-reference works. In addition to the biographical sketches and descriptions of films and television programs that make up the bulk of this work, there are also essays on the role of the Hispanic American in American film and television. The book begins with an essay on movies, followed by alphabeticallly arranged entries on films that had a Hispanic character, setting, or subject or in which a Hispanic actor starred. Each entry includes producer, director, writer, cast, and a brief summary of the plot. Individuals whose names appear in boldface type are the subject of biographical sketches later in the book. The next section begins with an essay on television followed by entries on individual programs, which include network, cast, and a brief plot summary. Again, boldface type is used to indicate persons who are the subject of biographies. This section is followed by brief essays on Zorro and the Cisco Kid, with complete chronologies of their movie and television incarnations. Finally, there is the biographical section, which lists Hispanic American performers and behind-the-scenes personnel. The authors indicate that they have "also included . . . a number of non-Hispanic individuals who are nevertheless identified in the public mind as Hispanic, on the basis of the roles they played or their Hispanic-sounding names." There is a separate section of "profiles of selected non-Hispanic filmmakers who have contributed substantially to shaping the cinematic image of Hispanic Americans through classic films they made." These include such directors as John Ford and John Huston. An index completes the work; a selected bibliography precedes the front matter.

There are throughout the book black-and-white photographs of very good quality. Studio portraits, movie posters, and stills of many familiar (and some unfamiliar) faces and scenes complement the text. Since there is currently little on this increasingly popular subject, it is recommended for film and Hispanic-culture collections alike.

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18 of 21 people found the following review helpful.
Ethnicities Celebrated
By Book Reviewer
By JONATHAN KIRSCH, Special to The LA Times "...An illuminating and entertaining survey of films and television programs in which Latino actors, settings or themes figure prominently, "Hispanics in Hollywood" is full of such surprises. Anthony Quinn, perhaps best known as Zorba the Greek, is only one of many actors whose Mexican origins were once concealed, and there are many others whose Latino roots have only recently come to public attention, ranging from Rita Hayworth (born Margarita Cansino) to John Gavin (born John Anthony Golenar) to Raquel Welch (born Raquel Tejada). And it was a young Emilio Estevez who boldly reclaimed his own Latino family history and thus revealed to the world that the real name of his father, Charlie Sheen, is Ramon More often Latino actors found themselves in an awkward dilemma in Hollywood, as the authors of "Hispanics in Hollywood" point out--if their Latino identities were not concealed, they were put to use in depicting stereotyped Latino characters: "maids, slum dwellers, drug addicts and gang members," co-author Luis Reyes reminds us, or "cruel dictators, mustachioed bandits and beautiful señoritas." Only in the last couple of decades have Latino actors and directors enjoyed the opportunity to tell stories about their own heritage in a more open, honest and affirming voice in movies such as "Zoot Suit," "La Bamba," "Stand and Deliver," "Selena" and "A Walk in the Clouds." Reyes, a movie publicist who is also a chronicler of Hollywood's Latin American heritage, describes the book as "an attempt to show the way Hollywood has depicted Hispanic Americans and Latin America, while also pointing out the contributions to Hollywood movies and television made by unsung Hispanic Americans as well as those more famous." Thus, his book can be approached as a serious effort to ponder the issues of race and ethnicity in American pop culture and, at the same time, as one of those useful reference works that can be pulled down from the shelf when puzzling over some old and obscure movie on cable.

3 of 3 people found the following review helpful.
Hispanics and The Lack of Representation of "The Other"
By Rochmanna Miller
Bravo Mr. Reyes for such a deeply researched, sensitively written, book blooming with photographs of Hispanics in Hollywood celebrated over 100 years. Indeed, this was needed many years ago, especially in my start as a high school teacher in a predominantly Latino/Latina high school for 28 years. Zoot Suit was culturally affirming for East Los Angeles. The unique style and political statements opened up new worlds of research re Latino/a film. And look at the power of Teatro Campesino, and its earlier form in La Carpa, in making political statements regarding exploitation of the Mexican worker. And now, in your book, we get to look back at the contributions made in earlier times we did not know of, and contemporary times.

The world of prejudice and stereotyping is So complex and being examined now in organizations such as Facing History and Ourselves,and college texts that reveal an array of a variety of cultures in America, especially of the tension between adapting and keeping two cultural worlds within and without.
Alas, there are intracultural prejudices too. Sometimes more established Latinos/as make fun of the recently arrived as wetbacks. In Jewish society, those who were in the US longer than the recently arrived Jews--called them "greenhorns".

I loved so much of this book and have given it five stars. I also liked the preface tremendously. I too had the experience of watching films for content and style, and pausing for the film to permeate me as long as it could. At that time, I was particularly interested in the psychological depth, and the unique style of filming of the unconscious as well as the conscious world in Fellini, Truffaut, Bergman, and many others perhaps forgotten now, and of course Bunuel. I was lucky to see and read "The Boom". "The Boom" exploded with new styles as Mexican and Latin American writers were celebrated for literary, artistic,and cinematic innovations, such as "Magical Realism, that weaves around history and political realities.

Now, I would like to gently approach one line (what writer doesn't have one or many) that troubled me. You mention that "Most" of early Hollywood was controlled by Eastern European Jews.

This is not really true in light of all cultures who contributed to Hollywood's start, and it itself is a stereotype that a number of books are now discussing.

This belief about Jews dominating the film world actually fueled more anti-semitism than already existed severely in this country, where most Jewish immigrants were severely poor. You question why these "predominantly" Jewish promoters did not discuss their own culture. First of all--in diaspora, there were the German Jews who were more assimilated in Germany, and hence probably could have the skills and education denied Jews in Poland and Russia, and alas, Mediterranean Jews were often denied the right (many self taught while enduring backbreaking work only allowed them.)

And yet, they did forge a cultural works such as Yiddish theatre, books, and poetry,in America. They created while working 14 hour jobs and striking in times that treated them far more violently than strikers are treated today.

These people demonstrated for All workers. This paved the way for our own work worlds to have the right to breaks, sick time, health benefits, vacation time, an 8 hour day,and unions to protect those rights. They were joined by other oppressed cultures who worked along side them such as Italians and others, forming a multi-cultural comraderie that is so needed in our world today.

Actually, it is seen that there was much imitation of elitist European culture in early films. American themes came later. And alas--how complicated this was in our forging and reforging this country's identity. America was steeped in anti-semitism (and of course--hatred of all considered "the other". Early German immigrants in America faced disdain.The Irish, when looking for work, saw signs that read "Irish Need Not Apply. Later on, some people of these backgrounds forgot that they were scorned as new immigrants arrived. So you see, so many groups in this country have not had their stories told.

If there was a pitch for a movie about pogroms, it would not have sold--maybe if Errol Flynn flew in to swashbuckle those killing and raping sprees. Or, what would have saved a pitch about a Jewish family headed for a beach where the sign read "No Jews or Dogs allowed"? An exhibition from a few years ago called Degenerate Art (art that Nazi's banned) showed a big nosed and walleted series of series of movie and music producers, for Monkey like looking African-Americans ( inferior to the Nazis also) playing jazz (banned in Nazi Germany).

Actually, true art in film has been noted to have been brought in by German emigre artists both non-Jewish and Jewish, who were not free to do their form of art, especially abstraction, in Nazi Germany. Also, they left a regime they knew was appalling.

Therefore, in the term "most"( re Jews), there needs to be a bit more study. The truth is, if one filmed about life in Mexico, it would be very different in Jalisco and Oaxoca--because the cultures are different. Gabriel Garcia's Columbian world and Carlos Fuentes' world in Mexico would be different. At my school, the Goths and the Rockers live in different universes. Does this read as a bash? No!!!

The book is fantastic and a must read for all cultures! Prejudice of the"other" we do not know needs to be perpetually unbound. And wow--what an incredible array of Latino/a film history. All should grab it as a must read!!

I am so glad, at this time in film, we see Chinese Americans,films from Bombay, Syria, Armenian themes--and many previously unsung cultures in our theaters.We are now seeing the truth told about many atrocities such as the treatment of Native-Americans (here first)--for instance, the smallpox virus placed in American Indian blankets, as a form of genocide. There is knowledge imparted of exploitation of other immagrants--for instance, the shooting of some Chinese American railroad workers for "pay".

As for all the new styles and representations of all cultures (look at this year's (2009) many awards for Slum-dog Millionaire), filmed in India. These are added cultural fabrics, with textures and threads of expression that expand our global awareness.

In this sense, we grow in cultural understanding and the culture of ourselves (I believe each person Is a singular identity of many cultural influences). As long as this review is, I think I could write a book because cultural pride, and intra-cultural love and understanding are so important to me. And Do know I am savoring every page of Hispanics in Hollywood. No one will eat Fritos thinking of The Frito Bandito,or drool over the Tiajuana stereotype of loose women easy to pay for "a moment"! Let's cover those on Hollywood Blvd or all over instead...yes?

Thank God there are no more of those snoozing Mexican sobreros hiding the sleeping Mexican, denoting the Mexican as comical and lazy (and if anyone has one--bash it)!Though I may speak of objects or books not filmed--they were certainly influences.

I must also say that I know Mr. Reyes as eclectic, a wordsmith, an activist, and an educator. When Zoot Suit came out, Mr. Reyes spoke about the field of publicity , while imparting information about the production of Zoot Suit to my the students, who were were given tickets and other fun items. We were all ecstatic with the "prep" for the film!

Our students were also given free tickets to a film called Triumph of the Spirit (not"of the will") the Nazi propaganda film. A number of my students, predominantly Latino, came to see the film about a Greek Jewish boxer survivor in Auschwitz. This is not named in the credits of the films Mr. Reyes has publicized, listed in Hispanics in Hollywood.

I saw my students sobbing while watching Triumph of the Spirit, even some big guys sitting next to me. This is what we want--to break through and feel all of our pains and triumphs in this diverse country.

In your talk at our school, Mr. Reyes said: look at us--all different cultures, colors (class is another issue)-"-Beautiful!" When I also taught at a State College, where I had a real United Nations of students, it was so great that at the end, they spoke of misconceptions of each other at the beginning, and how they changed.

Do know I am celebrating this book as a contribution to Global understanding. I did want Mr. Reyes to know that a single stereotypical line we can All make, can hurt. As one student of mine in a Facing History and Ourselves class said, you can remove a bullet, but you cannot remove a hurtful misunderstanding. And I know you are one who believes in the same thing.

Incidentally, I would really like to see a film about a kid growing up loving film on the upper West Side of New York, who is from Puerto Rico. Plus, I applaud your work in probing Hawaii in film. I loved seeing photos of Robert Louis Stevenson visiting and merging in Hawaiian culture. When I went to a hotel where a lot of stars went, it saddened me to see Queen Liliokalani and family in stiff Victorian attire they felt they had to wear.

I am looking forward to more of your works (and films?). The cinema permeates so much of the psyche, letting us venture into other worlds, and the worlds of others, as both of us experienced in our youth and later.

Oh--just a little bit of history to end you may be interested in. Max Factor, who came from an Orthodox Jewish family in the old world and had made the wigs Jewish married women wore, introduced wigs to Hollywood! Also, he changed the world of the pancake make-up. In fact, he invented the science of make-up that inspired all women to wear it. My students saw the Max Factor Museum that had the red haired room, blonde, brunette, etc.

Guess where his original house is? It is in Boyle Heights (East LA) and inhabited by the parents of some friends of mine. Boyle Heights started out as a Jewish neighborhood--actually you might say "to keep Them with their own." Then came Russians, and Latinos, African Americans, and Japanese (sadly ripped away later by the Japanese interment camps)...and others. The community was mainly very radical. There is a wonderful documentary called Meet Me at Brooklyn and Soto. A woman recalls that the high school I taught in, Roosevelt High, had true cultural harmony--and pride days. In fact, many Jewish families watched over the Japanese homes to make sure there was no hateful pillaging!

As an afterthought regarding Jews not telling their stories, what about the first Talkie, The Jazz Singer with Al Jolson? In it, he is a Cantor's son (singer in synagogue) whose father wants him to follow in his footsteps. But Jolson is torn, because in his character, he wants to be a jazz musician...which he pursues instead. This was filmed at the largest and probably most exquisite Jewish temple in Boyle Heights, now (or the last time I saw it) full of pigeons and Graffiti. So, there you go re Jewish themes in film. (Just look away when you see Jolson's "blackface" make-up as he sings "Mammy"). Once again--here is the tension and triumph all of us face in our multi-cultural country and world. Rochmanna Miller

0 of 0 people found the following review helpful.
Outstanding, Entertaining Reference Book
By Amazon Customer
My copy of this invaluable book is dog-eared and so covered in sticky-notes it looks like it has feathers. Anyone interested in the history of Latinos in Hollywood should own this book. It is thoroughly researched and packed with little known facts, wonderful information and photos. Sadly, it is out of print. "Hispanics in Hollywood" should be reprinted and revised to include the approximately twenty years of notable Hispanics who have impacted the entertainment industry since its publication.
Jan Pippins,author
"Henry Darrow:Lightning in the Bottle"

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Matchless was one of the true pioneer motorcycle manufacturers. Their first machine was manufactured in London in 1899, and the company really came to prominence in 1907 with victory in the single-cylinder class of the first Isle of Man TT. Over the next seventy years, Matchless produced many distinguished bikes, from singles to magnificent four-cylinder machines. In 1931 Matchless acquired the ailing AJS concern, and the two companies were merged to form AMC - Associated Motorcycles. From then on Matchless and AJS machines became increasingly similar, and for a long time the machines of each mark were practically identical. Mick Walker's history of this famous marque takes in every machine and also looks at the competition fortunes of the company. Well illustrated with archive photographs, this book is a worthy tribute to this famous London manufacturer.

Sales Rank: #3803598 in Books
Published on: 2005-03-04
Original language: English
Number of items: 1
Dimensions: 10.00" h x .75" w x 8.00" l, 1.76 pounds
Binding: Hardcover
216 pages

About the Author
A leading authority on all forms of motorcycle sport, Mick Walker has been a successful racer, tuner and team manager, and still rides regularly. He was a former editor of Motorcycle Enthusiast, and published over 100 books including in this series, Derek Minter: The King of Brands, Geoff Duke: The Stylish Champion, Bob McIntyre: The Flying Scot and Mike Hailwood: The Fans' Favourite.

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